Re-amping can help address these issues where simply EQ-ing the tracks can't. When you're mixing a track, it can sometimes be hard to make the guitar tracks play nice with the rest of the mix. What if there's a problem with the miking technique the audio engineer used? Or maybe you're not 100% sure of the tone you want for the song.īy giving yourself the option to re-amp later you can fix any issues with the sound, or experiment to your heart's content. If you simply record the signal from an amplifier using a microphone you're stuck with that sound forever. Similarly, if you have lofty ideals regarding your fantasy guitar rig, it's way cheaper to pay a re-amping specialist to get that dream tone than it is to buy or rent the rig. If you're pushed for time in a rented space, re-amping will give you options after you've left the studio. And voila! You can re-amp the guitar track using your 18-foot Marshall stack at a more sociable time. So, you plug in your headphones and use an amp sim plug-in to lay down the track. No matter how good you are, your neighbors won't appreciate blaring amps in the middle of the night. Imagine you're struck with inspiration at 3:37 am, and you just have to lay down that killer guitar line. Here are some common reasons why you may need, or want, to re-amp a guitarist: Using the re-amping technique is like having a huge 'undo' button on your guitar sound, enabling you to fool around with amp and pedal settings to get the perfect tone long after the performance has been captured.
Reamp studios how to#
Put two or more of them in a room, and you'll hear them having lengthy discussions about how to get exactly the right tone for a particular song. Vocals, drums, keyboards, and even virtual instruments, can all be creatively processed with the re-amping technique. Re-amping is also increasingly used on instruments other than the guitar. Way back in the 1930s, folks were taking sounds that had already been recorded, playing them back in different spaces, and capturing the end result.īut re-amping became a big thing with the advent of electric guitars, and this is how it's commonly used today.
The idea of re-recording sound isn't a new one. The best part? Since the guitarist has already laid down his or her performance, they don't even need to be in the room when you start fiddling with knobs. You can experiment with different amps and sounds from effects pedals, as well as fine-tune the settings on parameters such as distortion and reverb to better suit the production. Using this method, you can completely change the tone of a guitar part from when it was originally tracked. In a nutshell, re-amping is the process of taking a previously recorded dry guitar signal, feeding it through an amp and/or effects chain, and re-recording the end result. Read on, and all will be answered in less than the time it takes to play the whole of 'Stairway To Heaven'. It's a common phrase you'll hear bandied about recording studios, and among groups of audio engineers when they're comparing techniques.īut what exactly is it and perhaps more importantly, how do you use this creative production tool effectively? Otherwise, we will listen to the ruffs and provide you with enhanced reamped tones that we believe will best fit the track according to the ruff mix.Re-amping. You can also schedule a time to speak with one of our engineers if you’d like to provide more info on your project.
You can provide additional details about the tone you want or the amps you’d like us to use. WAV or MP3 of Ruff Mix with no gtrs (and no bass, if reamping bass) consolidated from the top of the session to the end of the song. WAV or MP3 of Ruff Mix with gtrs (and bass) consolidated from the top of the session to the end of the song. WAV files of DI tracks consolidated from top of the session to end of the song.
Reamp studios download#
where we can download the following filed for your track. When reach the checkout page we ask you to send us a link to a file hosting service such as Dropbox, Hightail, Microsoft OneDrive, Google Drive, Box, etc. We will send you a link to download the reamped tracks within 24 hours. For bass reamps, we will provide a Sub Bass track and a Bass Distortion track On request you can ask for different analogue compressors, EQ’s and preamps.īass is recorded through a Vintage 1970 SVT Ampeg Amp through 8X12 Cabinet. GET YOUR GUITAR & BASS DI TRACKS REAMPED BY HOWARD BENSON AND MIKE PLOTNIKOFF AT WEST VALLEY RECORDING STUDIOSĮverything is run through Vintage Neve 8058 console/preamps/EQ.
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